Monstania (モンスタニア), released 9/27/1996, developed by Bits Laboratory, published by Pack-In Video

My heart sunk a bit when I saw Pack-In Video pop up as I started the game, but actually I had a lot of fun with Monstania. The genre is hard to pin down — many places consider it an SRPG but to me it’s almost more like a puzzle or adventure game. From what I can tell, the level ups and the equipment upgrades are pre-determined after each battle and there is no opportunity for grinding, buying equipment, finding anything optional, etc. That disqualifies it from being an SRPG for me, and it’s almost not really much of an RPG either.

It’s also extremely short; I finished the game in around 3h 30m. But that also makes it a good play in an era where we’re not paying full price for a cart.

The main character is Fron (or whatever you name him), a 16 year old boy born on the island of Monstania. His obsession is finding fairies, who were supposed to exist on the island in the past but no longer do. He is present in most of the battles, and will be accompanied by at most one of the other characters. You can never choose which character will be in the battle (there are a couple of branching paths though).

The battles are on an isometric grid. You can take a turn with one of your characters, then the enemies will get a turn (some enemies only get 1 turn for every 2 of yours, some get 2 turns for every 1 of yours). Each action you take depletes your AP, although moving doesn’t. You can recover AP by either skipping a turn, or by taking an action with your other character. You can either join the two characters together and have them move around together, or separate them. Either way the enemies will be acting when one (not both) of your characters take actions.

Characters can attack, but also use a wide variety of special abilities that they get from levelling up. There are also some abilities that everyone can use (self-heal, defend, item). I believe there are about 8 characters in the game although a number of them only appear for one or two maps. Tia and Chitta are the only two characters that you will be repeatedly using. They can help out a lot with their ranged attacks and Chitta has some good AoE powers.

A common strategy in the maps is just to move forward slowly and deal with the monsters as they come to you, then heal up and recover AP before continuing. This works on many (though not all) of the levels. It helps if you have someone like Tia who can shoot a bow to get the monsters across the map.

Not all of the maps are battles. There are puzzles like the one above where you have to clean up all the dirty areas without moving over the same square twice. Another one involves avoiding a rolling boulder. Other ones you have to pick up objects and place them in the proper area, and so on.

The story is not especially deep or involved; they encounter Chitta (who is in that picture), a mysterious child who is being pursued by soldiers. In the course of protecting Chitta they stumble upon a plot that could threaten the safety of the entire Monstania island.

The game is not especially hard, although I did have to restart some missions a few times. The final boss is a challenge but I hadn’t used any of my items so by just repeatedly using the restore items I was able to win fairly easily. Many of the bosses are rather poorly designed because if you just run away from them they will start wandering aimlessly which gives you time to recover your AP and HP before re-engaging with the boss.

I had a lot of fun with the game and it’s definitely worth playing (It has a translation patch) since it’s so short. However, I would like to see how the game would have played if they had expanded it into a true RPG/SRPG that wasn’t just fixed level ups and equipment gains; where you could choose your party more freely and that maybe was a bit longer and more involved. I think the system is interesting and shouldn’t depend on such a rigid style of gameplay, but I guess neither Bits nor Pack-In Video ever tried this style of game again.

Wizardry Gaiden IV: Throb of the Demon’s Heart (ウィザードリィ・外伝IV～胎魔の鼓動～), released 9/20/1996, developed and published by ASCII

Wizardry is of course one of the ancestors of CRPGs, with 8 main games centered around so-called “blobber” dungeon exploring. At the time this game was released, the first seven main Wizardry titles were available in Japan both on computers and in a variety of console ports. In addition, three “gaiden” games had been released exclusively in Japan for the Game Boy. These followed faithfully in the pattern of the early Wizardry games. CRPGAddict played half of the first one, and his post is interesting for his view of this game coming from a fan of the western computer games (and someone who is decidedly not a fan of JRPGs). CRPGAddict also has a guest post covering the Japanese wizardry games in more detail.

Back in the day I finished the original Wizardry and I have played 5 and 6, though I never finished either of them. Gaiden IV is basically in the style of the first five games, although it borrows some of the races and classes (and magic types) from 6 with a few new things.

When you start you are immediately dropped into the town with no explanation; as you may be able to see this game uses a Japanese flavor rather than the usual medieval European fantasy of the Wizardry games. The game manual gives the backstory — basically there are three legendary objects that the new king hopes to use, to gain the power to put down a rebellion and bring peace to the kingdom. We are an adventuring party sent out to get the three objects.

You can use pre-generated characters but I took all their gear and sold it for money and deleted them, and made my own party. All of the classes from the original Wizardry are there — the Priest, Thief, Fighter, and Mage for basic classes, and the Lord (fighter + priest), Bishop (mage + priest), Samurai, and Ninja for prestige classes. They also added psionic and alchemy spells and new hybrid classes to take advantage of them. The races are the W6 races (so the classic ones plus Rawulf, Mook, Faerie, etc).

As in the classic games you roll a random value for points to add to your base stats. Normally you get 10 or less, but rarely you will get above that (up to 30 max). In the original games it was beneficial to spend a long time rerolling so that you could start with better stats and also be able to access the prestige/hybrid classes early. It’s not necessary to do that in this game because if you get 10 or fewer points, you start at level 4. This not only gives you 3 levels of stat boosts but also lets you start with more HP, which is a big help surviving at the beginning.

My party (which I named after Tale of Genji characters) was two fighters, two priests, a ranger (who can do Thief stuff), and a mage. My intention was to class up later to a Lord, Valkyrie, and Monk, and I wasn’t sure what to do with the extra priest and mage. (In the end, I ended up leaving the priest as is, and turning the Mage into a Valkyrie after she learned her last level of spells.) Everyone starts with a basic set of equipment but I bought some additional things with my money.

The interface is a big problem, I think. It’s based on the computer games, which are marginally better because you can use the keyboard to directly select items and people. Even there it can be frustrating, but when you have to use a controller to select everything, it’s really annoying to have individual gold, for instance. Also the fact that every item you find in the dungeon needs to be identified is troublesome because you either need to transfer all the items to a bishop, or pay quite a bit of money to have it done in town. Then a big failing of the game is that there is no way to see what the stats of equipment is; I found a list of weapons/armor by googling but it was still frustrating to figure out if the new equipment I had gotten was any good.

The healing is also done via the classic method where you either pay a bunch of money to rest in the inn, or use priest spells, going in and out of the dungeon until everyone is at full.

Each of the three objects you need is in one of three dungeons. I’m not sure why they set it up the way they did — once you recover one of the objects, the other two dungeons have almost all their NPCs and puzzles removed, but you still have to go through them to get the objects. I think maybe the reason they did this is that the monsters are of similar difficulty in each dungeon, so perhaps they didn’t want you to have to spend a lot of time with easy monsters once you had cleared one place? Even so you have to explore the other dungeons so I’m not sure what the point was. The fourth choice there is a “training dungeon” where you can go just to fight things; there’s also an opaque sidequest involving that dungeon that can unlock the strongest monster in the game.

At this point you just make excursions into the dungeon. As in classic Wizardry games, the majority of the dungeon is empty and so you’re mostly just mapping things out looking for the few events you need to do to progress. Your resources are quite limited and you have no “warp back to town” spell so you need to be quite careful in your excursions — this provided most of the tension and I suppose enjoyment of classic Wizardry.

This game is easier in two ways than the original. First, there is an automap, although you can only see the 3×3 square around you unless you cast the Dumapic spell. The second is that unless you play it on “mania mode”, you can reset your game during a fight and you will start before the fight. In classic Wizardry, you never “save” your game; if your party dies, their corpses remain in the dungeon and you have to get another party to go in and find them. You also are not guaranteed to be able to raise dead characters and can lose them permanently. I think a lot of players (myself included) made disk backups to lessen the sting — it was too time consuming to do the backups constantly, but it was better than losing your whole party.

The battle system is classic Wizardry, although weapons have a range — I’m not sure when (if) this was added to the core Wizardry games. Your characters in 4-6 position can only attack if they have weapons with long enough range to reach the enemies. Otherwise they just have to defend or cast spells. Same is true for the enemies, of course.

In the first tower, you basically find a number of keys and other objects that open up doors and let you explore the entire tower. One part you have to get a dude to drop you into a pit so you can explore the lower levels.

There are multiple solutions to each dungeon — you can kill the NPCs to get their items, or you can take “peaceful” solutions, some of which require items from the other dungeons. As far as I can tell there is no gameplay benefit to the peaceful solutions and you actually lose XP for doing them.

Once you get the three items, the lord goes to defeat the rebels, but then an unnamed lord suddenly awakes a different evil and you have a new dungeon to explore.

The first 4 levels of this dungeon are copies of the Wizardry 1 (proving grounds) dungeons, but after that, the B5-7 dungeons have a complicated puzzle where you have to press buttons to get statues onto the bottom floor. I used a walkthrough to solve this.

Beyond this, you get the last dungeon level, which is an embryo-like place (the “taima” of the title is really “demon embryo” rather than “heart”). This is where I stopped playing — you have to beat 7 or 8 very difficult encounters to reach the final boss. I got ten game overs on the first encounter, did some grinding, and decided it was going to take way too long to finish it. There is a translation patch so anyone can try it themselves.

As I understand, after you beat the boss there are two additional post-game dungeons, in addition to the superboss in the training dungeon, so there’s quite a bit of content in the game. I think that if you like the classic Wizardry format and don’t mind the interface issues, you will enjoy this game a lot.

As a final note, the Wizardry wiki has the title misspelled as 大麻の鼓動 “Throb of the marijuana”.

I started playing Akazukin cha-cha, but I don’t think it really qualifies as an RPG. It’s more of an adventure game with a small number (around 7) of fixed RPG-style battles. There are no levels, instead you just gain stats at pre-determined points in the story. Apparently it’s considered a good game for fans of the manga or anime series, but I will leave it to others to cover the game.

So what this means is that we have come to the final list of games, the remaining 9 games I have to play. I will be taking a break around Christmas time, so I think I should probably finish this up around March or April of next year, although it depends on how long all the games are. Here’s the full list of games, with the bold ones being games I will actually play.

• Wizardry Gaiden IV: Throb of the Demon’s Heart
• Monstania – It was not clear to me whether this is an SRPG or not, so we’ll find out now.
• Marvelous: Another Treasure Island – This is an adventure game, not an RPG.
• Dragon Quest III – I could skip this as a remake but I believe I will play it.
• Madou Monogatari I (PCE) – The final PCE game! This was released very late in the system’s life, and also came out for the Sega CD pretty late also.
• G.O.D.: Listen to the voice telling you to awaken
• Dragon Knight 4 – I played the Playstation version of this.
• BUSHI Seiryuden: Two Heroes
• Milandra
• Gunman’s Proof – This is a zelda-style game that does not qualify as an ARPG for me.
• Dark Law: Meaning of Death
• Solid Runner – The last game I will play!
• Mini shiku Let’s & Go!! POWER WGP2 – This is a racing game for the most part; it has some parts where you can talk to people and buy things but this is not enough to make it an RPG.
• Wizardry I-II-III: Legacy of Llygamyn – Since this is a remake of Western games I will skip it.
• Fire Emblem Trachia 776 – I will actually play this, but it will be once I reach 1999 in the strategy RPG playthrough, not now.

At this point we have all the party members (the first four were my endgame party):

• Kurisu, the hero of the fire shell and main character — you have to use him. He can cast fire spells and do sword techniques.
• Shamuru, a catwoman thief. She can steal things which is nice, but can also use some helpful spells, particularly Powered (attack up). She is also important for one point where you can do some nice levelling.
• Kupikupi, who has the best healing spells. By the end of the game he can cast a full party heal spell and a full party “restore conditions” spell for fairly cheap, and can contribute some attack spells as well if necessary.
• Millie, the robot (who used to be your dog). Strong attacks, and also nice all-attack abilities that involve various elements.
• Pot, who was also in the first game. Has a number of summon spells that you gain from various events — unfortunately a few of the best ones are only available with the real-time clock system (I had the same problem that I did in Tengai Makyo Zero where the clock never synced or advanced when I wasn’t playing).
• Baboo, who uses boomerangs. I didn’t use him much.
• Baltes, the warrior. I also didn’t use him much.
• Poyon, who learns spells from enemies like Blue Magic. I barely used him.
• Ruimella, who has decent healing and support spells. I used her some but I generally found Kupikupi to be more useful.
• Gabro, who joins fairly late and as such I didn’t use him much. He seems like he could be useful with some elemental powers.

Next up is “kimoi” town, where the townpeople’s souls are being extracted by Jarama (who of course is being controlled by the evil Dark people). To clear this part we have to bring a certain kind of water to a holy spring, and the god then allows us to enter the realm of the dead as spirits so that we can clear out the monsters.

Beyond the mountain there is a creepy bone dungeon.

And finally we defeat the Phantom Queen (one of Dark’s underlings), and recover the 5th aura stone along with freeing Jarama. She can stop random encounters but only once, for a short time, recharged when you stay at an inn. So pretty much useless.

The final aura stone is in a mechanical fish in the sea.

This is an annoying dungeon because the visibility is very poor, and of course you are facing encounters every 4 steps. But in the end we recover the sixth aura stone, although then Dark tries to kill us in the sea monster. We rush to an escape capsule, but are now stranded in the sea.

Fortunately our small dragon comes to save us, and with the six aura stones he is able to power up into a full size dragon that can be flown around the world. At this point, you can go to the snowy islands at the top of the map where you encounter two sets of enemies that give huge amounts of XP and gold. In a fairly short time I was able to get as much money as I needed for the rest of the game, level up to the high 30s, and steal “Angel Medals” which offer a huge increase to attack and defense. This allowed me to keep the “no encounter” code on for the rest of the game and still manage to beat all the bosses. (However, this area is only available at this short window)

Now we have to fly up to the castle in the sky, where the heroes display their usual stupidity and give the aura stones to the queen, who turns out to be a clone made by Dr. Doan (Dark’s servant).

Now we rush to the temple in the sky land to stop Dark from using the aura stones, but of course we’re too late — once we arrive Dark destroys us with one hit and then activates the aura stones to capture power for himself.

Dark activates the stones, making the sky land crash to the ground and doing huge damage to the land. Many towns are displaced or destroyed. In this section of the game you are basically trying to recover your team members, find the 4 shells (which were lost during the crash), and also free the Dragon so that we can fly up to Dark’s lair.

Once this is done, it’s time for the final dungeon. You have to use two parties here, switching back and forth with the Y button to open up new areas until both of your parties arrive at the top. Then your B party stays back to fight Beauty (the last of Dark’s underlings) while the A party with Kurisu goes for Dark.

Beauty is the hardest fight in the game — she uses a move almost every turn that has a chance of confusing everyone, and then your party members kill each other. Even using the cure-all spell of Kupikupi it’s hard to avoid this. Fortunately if you lose with your B party, the A party takes her on instead. Even so I had to try 6 times before I could get enough luck to defeat her.

Dark’s three forms, by contrast, are a cakewalk. Kupikupi can just Sun Shower every turn to fully restore HP, Robot can exploit elemental weaknesses, Kurisu attacks, and Shamuru supports.

Afterwards, Kurisu has to go back to Earth (leaving Millie behind since she’s a robot now), and everyone else goes back to their lives.

Overall this game is OK. The random encounter rate is a serious problem — if someone could develop a code that halves the encounter rate that would improve this game immensely. The storyline is acceptable but relies on a lot of cliches (particularly the “haha, the heroes are too weak to deserve to fight me! Here is my underling to fight” and “there’s no way the heroes survived that, they must be dead.”)

We’re down to 10 games (9 sfc and 1 PC-engine)!

Daikaiju Monogatari II (大貝獣物語II), released 8/2/1996, developed by Birthday, released by Hudson

This is the sequel to the 1994 original — there are some of the same characters although I believe this is not a plot sequel, it’s just a new story with some of the same elements. As in the first game, the Fire Shell has to be used to summon someone from Earth to help fight off enemies.

The gameplay is mostly the same as in the first one as well. We still have the punishingly high random encounter rate, the “helpers”, the basic magic system, equipment, etc. This game added a clock-based feature like Tengai Mayko Zero, although it has very little effect on the game (and apparently drained the battery quite a bit). You no longer recover MP/HP on level up, which makes the game a bit more fraught in the dungeons. I made occasional use of a no encounter code, mostly when there were puzzles in the dungeons (I find it very annoying to try to do dungeon puzzles when a random encounter is breaking your concentration every few steps).

This time our big bad is “Dark”, who is trying to take over Shell Land.

Kurisu and his dog Millie are transported from Earth, but something goes wrong during the process and Kurisu ends up alone, and is immediately attacked. Fortunately Princess Rumiella from the nearby castle finds him and brings him back.

We are also introduced to Baltes who has a crush on Rumiella, and Baboo (who was in the first game, but as I said I don’t believe this is a plot sequel — I think it’s just reusing the same assets). The basic structure of the first 2/3 or so of the game is that Dark (the big baddie) is sending out his underlings to find the six Aura Stones, while we travel around and fight the underlings, recovering the stones.

The battle system (and even the graphics) are basically the same as the first game. You can still set up “strategies” to have people use certain moves automatically, although this game doesn’t have that extremely helpful move that puts the enemies to sleep with no MP cost. And since you no longer recover MP on level up, that means that more often than in the first game I was just doing attack with everyone.

The first location is north of the king’s castle, where Megaloking is using captured humans to dig up the aura stone.

This operation is a success; beating Megaloking and freeing all the villagers, and getting the aura stone. Unfortunately Dark, though his evil spying ways, has recognized that Baltes is in love with the princess, and decides to use nefarious tricks to turn Baltes to their side.

Baltes thinks that the hero kurisu has taken the princess from him and that they were making fun of him, which allows the next of Dark’s generals, Mushking, to use spells on him and turn him to evil. To reach Mushking we first have to recruit an ally who can cut the trees in our way (he can also remove boulders from other places to reveal hidden treasures).

Once Mushking is defeated, we find the second stone, although Baltes decides to go out on his own to train so he can overcome the weakness of his heart that allowed him to betray the party.

Next up is a strange sequence involving Jodan, a clown that captures people and turns them into pigs. He also likes to collect unusual animals, including a few people that should be in our party! Poyon, Kupikupi, and the main character’s dog (who I named Millie) are ale here. The game switches to Poyon and Kupikupi, who free the dog, beat Jodan, but only the dog escapes.

The dog and Kurisu are reunited then, and Millie tries to lead us to the others. This is an annoying desert section — this is an example of a dungeon where I turned on the no-encounters code because finding my way around in the place was annoying. There are sandstorms that carry you around, but the places are invisible and it’s hard to figure out how to get through it. This leads us back to Jodan’s circus again, where we finally free the others (plus a thief named Shamuru, who is another party member).

Next up we can find the third aura stone in the Antlion lair, another annoying dungeon that I used no encounters for.

Here we find the evil scientist Dorn, who has revived Megaloking to fight again. Fortunately Megaloking is a chivalrous dude who gives us the aura stone when we beat him!

Now the Sand Scorpion, a big machine controlled by Dorn, heads for the nearby city to explode. We try to stop it, but in the end Millie (the dog) pushes Kurisu off the Scorpion and sacrifices her own life to stop it.

Some kids bring Millie back to a scientist who is developing a robot (Dr. Spanner). Spanner tries to do what he can, but the next day he tells the kids that he couldn’t save the dog and buried him nearby. Now the robot activates (we’ll learn soon that the dog was put into the robot, so now Millie is the robot).

The next section is done with the robot alone. She’s easy to use because if you buy 99 bomb items she can use a powerful attack on all enemies to kill them in one attack. The job here is to go to the crystal castle, where Dorn is using Gabro, one of his underlings who is still basically a baby. The robot Sonia is taking care of him.

Gabro is kidnapping children to play with. Sonia isn’t quite sure that’s a good idea, and she eventually grows close to the robot (Millie) because they’re both automata. Eventually Dorn comes in and kills Sonia, which upsets Gabro. In this section you have to switch back and forth between Gabro and Millie in order to progress in the dungeon, until we eventually catch Dorn (who escapes). But we have the 4th aura stone.

After this whole sequence the game switches back to Kurisu, and you can immediately go back and get Millie robot in your party. Two more aura stones! That’s where I will stop for now; hopefully I will have the game done by next weekend.

Star Ocean (スターオーシャン), released 7/19/1996, developed by Tri-Ace, released by Enix

This game was developed by people from Wolf Team who had left to form their own unit after being dissatisfied with the development process of Tales of Phantasia. The game pushes the SFC to its absolute limits, boasting a 48 megabit cart with a special compression chip that allowed for more graphics storage. It also used a method to quickly swap in voice clips to allow for a large amount (for a SFC game) of voice in the battles. It’s definitely a great looking game, and the music (by Motoi Sakuraba) is good as well.

On the other hand, there is a lot of evidence that the development of the game was rushed — the Roak section seems to represent just the first part of the story they were trying to tell but consists of about 70% of the game. There are places where it seems like things had to be quickly cut out or shortened last minute, dummied out places in the game, and such.

The emulation process of the game is also a narrative in itself. DeJap did a fan translation of the game in the early 2000s, but the S-DD1 compression chip at the time could not be emulated. So the hackers who worked on the translation, together with the zsnes team, simply used a process to feed the compressed files through the chip and then save them as a “graphics pack”. You had to download this pack and use zsnes (or later snes9x) which had been specifically hacked to load the graphics from the pack.

One of byuu/near’s big goals for bsnes was to eliminate these kinds of hacks. The first step was “high level emulation”, where tests were used to figure out what the S-DD1 chip was doing, and code that into bsnes. Therefore you no longer needed the graphics pack to play. Later, byuu used the services of an anonymous engineer to use some process to extract the S-DD1 chip’s inner workings, and now you can get the sdd1.cpp file which is simply the code that is on the chip.

To insert a personal anecdote here, byuu and I happened to be living in the same city when they were working on this, and I had a super famicom unit that I wasn’t using anymore. We met up for lunch and I gave him the sfc — I know they used it for the extraction of one of the chips but I don’t think it was the S-DD1. I think I’m one of only a few people in the sfc/emulation area who actually met them in real life.

I remember trying the game out at the time but I never played it much. I think the random encounter rate was too annoying, and I also could never find a control pad that worked well enough to make me want to play it. I did play the PSP version later but also never finished that. Now I finally have finished Star Ocean. (On the other hand, I was totally obsessed with Star Ocean 3 to the point where I probably put in 300 or so hours in the original and the director’s cut combined.)

The game begins with a fully voiced (in English!) opening sequences where a federation ship sees a planet get destroyed. The game then moves to the planet Roak, which seems to be a low-tech planet. This sets up what seems to be the standard for all Star Ocean games — although the game involves spaceships and future technology, the majority of the game takes place on a pre-modern civilization planet.

We are introduced to some of the main characters — Ratie, Milly, and Dorn. They are part of the defense force of Kratus town. After defending the town from some thieves, Milly’s dad sends a letter telling them that the town of Coule is suffering from some kind of epidemic disease.

The battle system is real time like Phantasia, but here it’s on a battlefield rather than just a linear screen. Also in contrast to Phantasia your other members can actually fight rather than hiding behind Cless all the time. To attack you just pick a target with A, then hit A to use a physical attack or L/R to use abilities assigned to those buttons (either short or long). I found that most of the time physical attacks were perfectly fine.

For the most part the difficulty level is low; you can stun enemies pretty easily and the encounter rate is high enough you should be levelled enough to beat most enemies. The exception are monsters that can turn your characters to stone; I found these were always potential game overs and that I had to immediately run away to have even a chance of not getting a game over.

The first problem in this opening sequence is one that reoccurs throughout the game — there’s too much backtracking, and there’s no town warp item or spell. Also the complexity of the graphics make traversing the dungeons more annoying than it should be.

Eventually all the people of Coule are turned to stone, including Milly’s dad. Dorn is also infected Milly and Ratie try to get some herbs to help but instead they run into Ronix and Iria who have beamed down from a ship.

They’re here investigating a bioweapon that has apparently been developed from the blood of people on Ratok, this planet. There is a very long story sequence where we learn that the Federation is at war with Lezonia, and Lezonia is making the bioweapon. But Lezonia is being forced into this by some shadowy third power. The characters go to the Time Gate (I think this is borrowed from the Star Trek episode “City on the Edge of Forever”) and go back to Ratok 300 years in the past. This is where the majority of the game takes place, although as I said earlier I suspect that this is due to development limitations rather than the original intent of the story.

The basic idea of the Ratok section is to get four items from the four kings of the world, then enter the “demon world” to take on Asmodeus. Although something went wrong in my playthrough because Asmodeus was never actually introduced, the characters just suddenly said our goal was to beat him — I think I missed an event, perhaps one that wasn’t supposed to be optional.

You can recruit a number of characters, some of whom are mutually exclusive. There are also “private actions” in towns — your characters will split up, and then you can activate sub events by finding them in town. I didn’t really do any of these.

When you level up, you get skill points that you can spend on a large number of abilities. Some of these affect your combat, others let you identify items or do item crafting. I didn’t do much item crafting because the things necessary are only available in specific towns (and once again you can’t town warp). I understand that if you know what you are doing you can make really powerful items and weapons. But as I said before, I didn’t find this necessary.

Eventually it is revealed that the Roak people are actually from the legendary continent of Mu on Earth, who were somehow taken to Roak when a meteroite hit the Earth. They eventually find Asmodeus, who still extracts the blood sample from the Roak people (since we can’t change history), but at least we are able to take some things from the lab to make an antidote. Milly and Rati return to present Roak and use a vaccine to cure all the people who have been turned to stone, and Ronix and Ilia go back to their ship.

This is where the story and pacing go off the rails. I have a feeling the rest of the story was supposed to be a more significant part of the game, but as it is it’s just crammed into the last 15% or so. For no clear reason, a ship from Fargett (the mysterious 3rd power) appears and demands a surrender, but Ronix is allowed to use the time gate to bring back the Ratie, Milly, and the 300 year past characters and go beat the Fargett ship. It turns out that they are also descendants of Mu.

I didn’t think the final boss was very hard. It was easy to keep him stunlocked and my attacks did a lot of damage. Now after this, everyone goes back to their homes.

So overall this is an impressive technological display of what the Super Famicom can do. And I wouldn’t say it’s a bad game. But the development problems really show, and the annoying amount of backtracking coupled with the high encounter rate can be tedious (although you can use an ability called Scout to reduce the rate).

I believe that Tri Ace immediately started working on Star Ocean 2 and my understanding is that game is a bit more polished than this one. I’d like to play it some day.

Traverse: Starlight & Prairie (トラバース スターライト&プレーリー), released 6/28/1996, developed by Pandora Box, released by Banpresto

This game is a spiritual sequel to Soul & Sword, which I played (much) earlier on the blog. Both games share the same general idea — virtually the entire game is open world and optional, and rather than having an “ending” you can stop the game at any time. In S&S you did this by leaving the island, and in this game you do it by marrying someone. There is no real storyline although both games have a sort of “best” ending that you can get by completing most or all of the events in the game. The idea is that each playthrough creates its own story, so I will tell the story of Kurisu, with some gameplay notes in brackets.

Kurisu’s mother died in childbirth and his dad then fell into drunkenness. When kurisu is 14, his dad sends him to get liquor from the bar. Sonia, a childhood friend who works there, is reluctant to give more alcohol to drunken dad, but she’ll do it if kurisu can bring her some flowers from a nearby mountain.

Kurisu fights his way up the mountain and finds the flower, but it starts talking and complains when he tries to pluck it. Feeling bad for the flower, Kurisu goes back without getting it, but Sonia gives him the liquor anyway.

Later in the night, a man breaks into the house, wanting to steal the “Holy Sword” that Kurisu has always had with him — he claims that he’s a prince of a defeated kingdom and that the sword belongs to him. Kurisu tries to fight him off but loses badly, but the guy isn’t able to get the sword away.

Kurisu wakes up in a cave — the guy (Bullmore) tried to bring Kurisu with him but fell into this cave. Kurisu is able to climb up the vines but Bullmore is too heavy, so Kurisu goes up to get help — eventually he pulls up Bullmore by a stronger vine.

Once he saves Bullmore, he decides that there’s no reason why he should stay in his village anymore, and decides to go on an adventure with Bullmore. Sonia tags along. [This is the end of the required stuff before the real game starts]

Kurisu reaches the main continent, and looks at a map showing all of the towns in the continent.

He decides to travel around the world to the towns, seeing what kind of adventures he can find there. [The game has a real-time system as you travel; apparently it ends in 10 years regardless. Once you find a town you can then choose to ‘teleport’ there (really just omit the actual walking, it still takes days)]

Kurisu travelled the world. He found one dying girl whose favorite toy musician set had come to life and gone on a journey, but she wanted to see them one more time. We agreed to try to find them. Kurisu also found a girl whose father made “fakes” of paintings to hang in other museums, but somehow a major painting had been replaced with the fake. So we had to sneak into the place and switch them back.

Other than that, the world seemed at peace — Kurisu did not encounter a single monster on his travels. Most of the towns he visited seemed to have no problems, and the villagers had little to tell them. Even going to the three parts on his map labeled “quest” did not good — the places were either closed or locked.

After travelling for nearly a year, Kurisu decided that the entire world had not much more to offer than his starting island — he had more adventure getting the flowers from the nearby mountain than he had in the 35 or so towns he had visited since then. And travelling all that way with Sonia, he decided that everything he needed for life was in his hometown. He proposed to Sonia, who accepted.

Bullmore wasn’t happy that we never helped him revive his kingdom, and went off on his own. And Kurisu lived happily ever after.

—

So that was my experience playing the game. It was boring as all hell — I am not exaggerating in that description above. I played the game for several days and found almost nothing to do. I barely know how the battle system works; the characters have skills but I never used them because I didn’t have a single fight after the first island.

I checked Japanese reviews and they all said the same thing — this game is impossible to play without a walkthrough because it’s so difficult to find any quests, and the quests themselves are often inscrutable without help. I couldn’t find a Japanese walkthrough but there is one on GameFAQs.

Not only are the quests hard to find, but there is a hidden “karma” value that cannot be seen, which affects quests you can get. If you want the true ending by completing all quests, you have to make sure your karma is at certain values (high or low) when you do certain things. Some quests won’t activate, others will activate but if you don’t have the right karma value you won’t be able to finish the quest in the right way to count for the true ending.

I could have followed the walkthrough, I suppose, and done all the stuff. But it seems silly to me that you should need that help just to find anything to do. Since I technically finished the game, I’m fine in putting this one aside and moving on to Star Ocean.

Gulliver Boy (空想科学世界ガリバーボーイ), released 6/28/1996, by Bandai

I covered a previous game based off the anime for PC Engine. That game pushed the PC Engine to its limits to include lots of full motion video, and in general seemed to be a decent game. This one, on the other hand, is a lazy shovelware IP project that can be finished in a few hours, including grinding levels.

Unlike the PC Engine version, the story in this one is introduced in fairly brief story segments that don’t introduce the characters or story particularly well — you can follow the basic plot thread but you constantly get the feeling that there’s more fleshing out of everything in the source material.

The system also shows signs of being rushed — you can only see your current XP level by resetting the game and looking at the load game screen. There’s a robot combat mode that is only used once. The “dungeons” are often only a few screens long. There’s no real exploration; when you finish one area you just get taken to the next area automatically. While it’s not necessarily a bad game, it’s definitely one that you would feel cheated spending full price for in 1996.

The battle system is action RPG style. You can switch between the three characters you have during the game. Gulliver attacks with his Maken Glove, which takes a bit to regenerate. He also has “discs” that use his disc power but have stronger effects. Misty in the early game uses spell like abilities, and then later gets a boomerang-like circle she can attack with. Edison throws bombs; he’s not a great character but is necessary to destroy the enemy lairs that otherwise will spawn endless enemies.

When you are controlling one character, the others will recover HP and also their special ability meters will recover more quickly.

There is one place where you will fight in a robot for just two battles.

There is no money or equipment; you find a few items throughout the game that can heal you or restore gauge.

The game is not terribly difficult for the most part, although you can die pretty quickly if you’re not careful or are behind in levels. The way you gain levels is that when you beat enemies, they will sometimes drop these colored bars that give 10 XP to the character who the color matches. Although if you level too high, the area’s monsters will start giving 1 XP instead. Some bosses give 100 xp bars that can go to anyone. My characters were only at level 10 at the end of the game.

The story is difficult to follow but it seems to be essentially a greatly stripped down version of the first half of the anime, ending with the fight against Hallelujah. But a lot of side characters are missing and there is almost no establishing dialogue to help people who haven’t seen the series.

Unless you are a huge fan of Gulliver Boy I don’t recommend this game — if you can read Japanese I would recommend the PC Engine (or Saturn remake) over this.

Arabian Night: King of the Desert Spirits (アラビアンナイト 砂漠の精霊王), released 6/14/1996, developed by Pandora Box, published by Takara

This is a game that was on my radar before I even started the blog just because of how good it looked — it’s a nice example of late SFC era graphics. I knew that some people had reviewed it negatively because of the short length and high random encounter rate, but I wasn’t sure how accurate the criticisms would be. Having played games like Last Battle that have absurd encounter rates, I’m used to having to speed up through battles, run a lot, or even use no-encounter codes (this is something I would have never done in the early days of the blog but I have softened considerably to doing this. I still haven’t done it on that many games though).

In the end I think both criticisms are fair. I finished the game in less than 10 hours, and that was including a number of optional events you have to do to get the true ending. I did use a no encounter code for some of it, although you get an ability at level 19 that can 100% escape from battles. The encounter rate is high, but that’s paired with dungeons that are needlessly large, and the fights themselves often take a fair amount of time.

The game begins with the djinn Ifrit being defeated and enslaved by a wizard of some kind named Suleiman (the person next to Ifrit there is one of his underlings, Majnun). He becomes Suleiman’s servant for a while, but when Suleiman’s house is attacked by some mysterious power, Suleiman splits Ifrit’s power into 8 spheres that fly off to different areas, and Ifrit himself is trapped in a ring. When Ifrit grants 1000 wishes, he will be freed.

Time passes and Ifrit grants 999 wishes, so he only needs one more. A young girl named Shukuran finds the ring, and her wish is to bring peace to the land. Ifrit is kind of annoyed because granting money or power is easy, but this is going to take a while. So he’s going to have to actually go out and solve the world’s problems, although Shukuran has to come along too because he can’t move very far away from the ring.

The basic game involves finding the 8 spheres to restore Ifrit’s power, and then defeating the enemies behind the problems. To get the true ending, you have to also gain the power of the nine djinn who served under Ifrit when he was his original self. This is a typical situation where the true ending is difficult or impossible to get without a guide; some of the djinn join automatically in the story, and others just require you to go to an optional area. But a few require you to make specific dialogue choices that are not clear (in some cases it’s not even clear that the choice you are making has anything to do with recruiting a djinn). There’s one dungeon where you can take two different paths — the left path is what moves the story ahead, but if you do that it blocks off the right path which has one of the djinn recruits. Another one makes you find an item that is completely hidden without any clues. I personally don’t get as annoyed by this as some people do because I don’t mind using a guide for the true ending, but I can see why people find this frustrating.

The main distinctive feature of the battle system are the Cards. You get cards from beating enemies, and they can be used in battle before a turn starts. Their effects last for 3 turns, and include damage, stat increases, nullifying special defenses, etc. A card can be cancelled by playing a higher level card, and enemies use them as well. Even if the enemies don’t do much damage, if they play a big damage card you have to get rid of it or take a lot of pain.

You have only three characters during the game. Shukuran will gain spells once you start forging alliances with the nine djinn. Ifrit gets spells when you recover the jewels containing his power. Harty, the third person, gets abilities from levelling up (including the all-important Escape at level 19). Frustratingly there are no healing spells in the game except for one of Shukuran’s djinns, so most of the healing is done through items. This increases the annoyance of the random encounters since the monsters are often tough and can do a decent amount of damage (especially with the cards).

There’s not a great deal of story to go through; a lot of it is just finding the spheres and getting the djinn in events that don’t really advance the overall story.

Eventually it turns out that Majnun is the one who caused all the chaos, because of how much he resented humans for trapping Ifrit and taking away his power. I believe that if you don’t fulfill the secret ending conditions, the game ends here. If you did, you learn that the Earth Mother Goddess tricked Majnun into acting this way. Suleiman knew that she was going to arrive and trapped Ifrit somehow to let the djinn build power over time to deal with her (or perhaps the journey Ifrit had to take strengthened him).

Once you beat the Earth Mother Goddess, you have the choice to release all the djinn or keep them trapped with their items; releasing them is the “best” ending but there’s actually not that much difference between them.

This game is OK, and worth a play if you can deal with the high encounter rate. The graphics are really nice and the music is decent as well. There is an auto battle which helps with the tedium as well.

Next up is Gulliver Boy which I have already beaten (it took 2 days) so that post will be up next week and I have a nice cushion as I start Traverse: Starlight and Prairie.